Last weekend, Gerald and I took a summer road trip and photostroll through southwest Georgia — with stops in Andersonville and Americus.
Andersonville is a sobering place: “The deadliest ground of the American Civil War.” Further:
Nearly 13,000 men died on these grounds, a site that became infamous even before the Civil War ended. Their burial grounds became Andersonville National Cemetery, where veterans continue to be buried today. This place, where tens of thousands suffered captivity so others could be free, is also home to the National Prisoner of War Museum and serves as a memorial to all American prisoners of war.
National Park Service
We just visited the National Cemetery section of the park, with its closely-spaced Civil War graves, memorials, and reminders that it’s still in use today.
Bench and Garden, Andersonville National Cemetery RostrumStalag XVII Memorial Detail (WWII), Andersonville National CemeteryMaine Civil War Memorial Statue (Photo #2) Amongst Graves, Andersonville National CemeteryIllinois Civil War Memorial (Detail #2), Andersonville National Cemetery
Later, we headed just down the road to the small city of Americus:
Wall Painting Detail #1, Sweet Georgia Bakery and Cafe, 134 W. Lamar St., AmericusCity Municipal Building and Windsor Hotel, W. Lamar St., AmericusWindow Arch #2, 106 W. Lamar St., Americus
Both galleries — Andersonville and Americus — have been updated with new photographs. The new items start with “2022,” and remember that clicking on any photograph starts a slide show for that gallery. Thank you!
As promised, I returned to Madison, Georgia, to complete the gallery my camera battery didn’t permit last time. Special thanks to Gerald, who accompanied me around the beautiful downtown historic district and on the lovely drive from here to there.
This round is mostly details, taken with my stunning new Leica APO lens. (Introduced in this Macon post.) The whole line has been discontinued, so I am incredibly glad to have gotten one while they’re still available — every single photograph shows just how good this lens is. I’ll try to do it justice:
Morgan County Courthouse #6Light Detail, 131 E. Jefferson St.Madison Welcome Center, Madison SquareFlower Detail, Organic MarketBuilding and Light Detail #2, W. Washington St.Hart & Crown Sign, Madison Square
I’ve revamped the gallery with the new shots mixed in with the old. Several are improved versions of shots taken last time, meaning those were deleted in favor of the new ones.
132 Madison photographs have been posted in all. Peruse and enjoy; remember to click on any individual photograph to start a slide show, and if you’d like, click “buy” to get options for fine art prints in a variety of sizes and finishes. Thank you!
Car site The Autopian scores with book design, Ford posts old marketing material gold mine, and more on the Eames Institute of Infinite Curiosity in this edition of Beautifully Briefed.
Autopian suggests book design
The Autopian, founded by a couple of former Jalopnik writers, is a new automotive gem: in these days of more-of-the-sameism sites trying to make money of others’ ideas, the Autopian has a retro style and interesting, original content.
Including this short post from their Cold Start column:
Sometimes you may encounter an old car ad and realize that the design of it could lend itself very well to something completely different. In this case, this 1958 Ford Zodiac ad, with its rich, saturated colors, striking dress on the model, and evocative name with understated typography just feel like something you’d see on modern book cover design.
Jason Torchinsky, Autopian Founder
The ad:
A 1958 Ford Zodiac (European)
His book design idea “realized”:
Jason’s book cover mock-up. Love the author name.
Nice.
The Ford Heritage Vault
Ford has taken the unusual step of posting a good chunk of their old — 1903 to 2003, their first 100 years — marketing materials online: “promotional materials, photographs, and all kinds of other historical goodies,” according to CarScoops.
“Our archives were established 70 years ago, and for the first time, we’re opening the vault for the public to see. This is just a first step for all that will come in the future,” says Ted Ryan, Ford archive and heritage brand manager.
Here’s a personal favorite: the 1965 full line brochure, showing the cars set in architectural drawings — presumably, matching the car to the house:
We discussed the Eames Institute of Infinite Curiosity back in April, but Metropolis magazine has published an extensive article covering a visit to the Institute.
Modernism has largely been diluted from a series of ideas rooted in social change to one of just style—Instagram moments, if you will. The Eameses insisted that they did not have a style or even an “ism.” […] Modernism was an idea, not a style. With the establishment of the Eames Institute, I hope Charles and Ray will be remembered most of all for their ideas and processes.
Kenneth Caldwell, Metropolis
An exhibit at the Eames Institute of Infinite Curiosity.
With our ongoing struggle to use materials more efficiently, many of the Eameses’ ideas and ideals need to be taken for the solutions that they are: style with incredible substance.
Three items for the end of June, 2022: AIA Los Angeles announces photography awards, the 2022 edition of the Logo Lounge logo trends report is out, and Buick makes its new logo official. Let’s get into the details.
AIALA Photography Awards
The Los Angeles chapter of the American Institute of Architects (AIA|LA) has announced this year’s winners of the annual Architectural Photography Awards, and there’s some pretty great stuff:
Ryan Gobuty: Santa Fe (Santa Fe, NM)Taiyo Watanabe: C-Glass House (Dillon Beach, CA)Tim Griffith: Mission Bay (San Francisco, CA)
[W]hile there are still corporate-looking marks being crafted there is a stronger effort to find ways to identify products that are artisanal and handcrafted.
Bill Gardner, Logo Lounge
Corporations trying to be more human. (News at 11.) But then, my use of that particular phrase perhaps betrays my lack of being in touch with the modern corporate world; I think publishing is a different animal, and prefer being part of that world despite the regular influence of corporate entities there, too.
Nonetheless, following logo trends is, from a purely graphic design perspective, worthwhile — and this report summarizes beautifully. Read on.
Buick’s New Logo, Officially
We’ve touched upon it before, but Buick has, with the release of the Electra Wildcat concept, officially updated its logo:
Official: Buick’s new logo
Electra is Buick’s name for electric cars, simultaneously stating the obvious while giving a big nod to past models — and the Wildcat concept is, dare I say it, borderline cool:
Both Buick and Cadillac have hinted at more Art Deco in their upcoming products, perhaps best illustrated on this concept’s interior:
It’s a head rest, folks.
Nice. (Not even remotely possible on a production model, but still.) Read more on Buick’s new logo and transition to an electric car brand at Car and Driver or The Drive.
According to Southern Living magazine, “In Madison, Georgia, you can witness the power of tireless historic preservation efforts and take in the glory of old Southern architecture — from Greek Revival to Victorian, this town showcases all the great architectural styles.” (Read their day trip advice.)
DAR Statue and Morgan County Courthouse, Downtown
It’s certainly worth taking some time to visit — and for this guy and his camera, the restaurants, shops, stroll-worthy streets, and simply spectacular historic district represent a great opportunity to add to the treasure trove of Georgia architectural photography.
Building Detail #2, Madison Welcome Center, E. Jefferson St.Building Detail #1, The James Madison InnGazebo and Stage, Madison Town ParkMetallic Sculpture, Madison Town ParkTrain and Silos, Madison
A total of 90 (!) photographs have been posted to the new Madison gallery. Once there, click on any photo to enlarge or start a slide show.
I’m not done, either: I had two lenses with me, but only one battery — which gave out before I could make a round downtown with the second lens. I’ve got another trip through the area scheduled, and will absolutely make the time to return, camera in-hand, to complete the gallery. Stay tuned.
The past couple of days represented a much-needed break from the recent heat wave — an opportunity to get out of the house and celebrate a stunning morning with camera in-hand.
I pass through Madison regularly (it’s along the route from Macon to Athens), and have been meaning to stop and take some photographs for literally years. Today, the first of two parts this week, with more to come soon.
We start at the Madison Morgan Cultural Center and loop through the historic district — and its many, frankly stunning buildings — south of downtown:
Madison Morgan Cultural Center (Detail #4)507 S. Main Street #1411 Old Post Road #1413 S. Main Street, Photographed from Old Post Road
There are a few detail shots mixed in, too, like this one from the Presbyterian Church:
Madison Presbyterian Church (Door Detail)
See the first 34 photographs in the new gallery. (Remember to double-click on a photograph to see larger.) Next time, downtown. Happy Monday!
FedEx pulled up around 8:30 this morning and dropped off a new lens. (It wasn’t due ’til Tuesday — bonus!) Given that it was an absolutely beautiful morning, I shelved my plans for the day, picked up the camera, and headed downtown.
Verdict? It’s so a keeper. See for yourself:
Catholic Cross, St. Joseph’s, MaconPurple Hydrangea, St. Joseph’s, Macon(Funeral) Chapel, New St., Macon552 New St. (Brick Detail), MaconPublic Art (Detail #1), D T Walton Sr Way, MaconTree and City Auditorium, Macon
Wound up with sixty new items posted. However, the downtown Macon gallery was getting almost too big — confusing, even — so has been separated into three parts:
As I mentioned in the last entry, Gerald and I were in Columbus, Georgia on Saturday, where our primary photographic mission was The Columbus Museum — specifically, its Olmsted Garden.
Celebrating the bicentennial of the birth of Frederick Law Olmsted, Sr., known as “the father of landscape architecture”, the Cultural Landscape Foundation has created an ever-growing digital guide of Olmsted’s most notable works.
Of course, the building’s interesting, too, so there’s a good mix of architecture, gardens, architecture from the garden, and — you guessed it — garden architecture:
The Columbus Museum (B&W #1)Urn, Columns and Bricks, The Columbus MuseumCrawford’s Kindred (B&W detail), The Columbus MuseumOlmsted Garden (Flower #3), The Columbus MuseumOld Pool House (B&W), Olmsted Garden, The Columbus Museum
I enjoyed the visit, and as a result of that visit, added 32 new photographs to the Columbus gallery. (They’re grouped together: “Columbus Museum – Mar22.”) Peruse anytime; purchase if you’d like. Thank you!
Gerald and I were in Columbus, Georgia, today, which included a delicious lunch at The Black Cow — no word whether the name is related to the Steely Dan song — and which meant a few photographs:
United States Post Office and Court House (Eagle Detail), Columbus, Georgia
One of several of the Post Office and Court House (the header photograph is that building, too), along with a few others from downtown:
Lamp and Buildings, Downtown Columbus, GeorgiaArches, Planes, and Sky, Downtown Columbus, GeorgiaTower and Spire, Downtown Columbus, Georgia
Columbus is really well covered in its dedicated gallery: check it out. The majority of today’s photographs, however, were from the Columbus Museum; those will be posted Monday. Stay tuned.
Three completely unrelated items for you this time, ranging from the serious and interesting through the loony and interesting to something of a whole different stripe.
The Eames Institute of Infinite Curiosity
Update 2, 25 Apr:Brand New discusses this logo, with the usual catchy title: The Fast and the Curious: Counterspace Drift
Eames Institute’s “curious” logo variations, discussed at Brand New
Update, 8 Apr: It’s Nice That has more: The Eames Institute launches with a curious, “Eamesian” identity, and a logo that observes
Original post: Practically everyone has heard of an Eames Chair:
A particularly awesome example of an Eames Chair (and ottoman).
What you might not realize is that the legacy Charles and Ray Eames left behind enriches our lives to this day. It’s a shame, then, that while their house is a mid-century masterpiece (and museum), much of their lives have remained behind closed doors.
For almost three decades, a barn-like building in Petaluma, California, contained remnants of one of the most iconic design legacies of the twentieth century. […] We created the Eames Institute because we want you to examine the archive of what you know—the collection of your experiences, understanding, memories, and questions—and connect to the provocations that call to you. We want you to tap into that same fount of relentless curiosity, and its power to shift your perception and open you to innovations and discoveries.
Now, however, there’s the Eames Institute of Infinite Curiosity. Awesome name aside, it introduces us to the more personal side of one of design’s strongest partnerships.
Items from the Charles and Ray Eames Institute. Drawings from the Charles and Ray Eames Institute.
Crossed wires, anyone?Imagine who might run up to — or even get pushed off of — this cliff.A nice, innocent factory. Nothing could possibly go wrong.
Next time I treat myself to a Loony break, I’m going to make sure to spend some time looking beyond the action and appreciate the backgrounds. Nice.
Condor Airlines Rebrands
Most of you have probably never heard of Condor Airlines; they’re mainly a European thing, a “leisure” airline associated with Thomas Cook, formerly owned and run by Lufthansa. (Here’s some history.)
It doesn’t particularly matter. What does is the bravado exhibited by management. Before, a typical airline logo — dare I say, typically Germanic:
Condor’s OLD livery.
Then someone said yelled, “HEY. WE DO VACATIONS. LIKE BEACH TOWELS. LET’S DO STRIPES.” The result:
Condor’s NEW livery. Wow.
Armin Vit:
The new livery has zero fucks to give and just plasters every plane with thick vertical stripes that go against pretty much every single assumed tenet of what makes a good livery. It doesn’t look speedy, it doesn’t look nimble, it requires a lot of paint, and by all other standards it is just plain ugly and I love it.
Catching up with a few unrelated stories that I’ve been meaning to post — including one pretty significant failure on my part, one potentially significant failure, and because not everything should be about fail, an extremely interesting and thoughtful interview.
Tiny Type Museum Sold Out
I was cleaning up open Safari tabs on my phone the other day — the detritus that results from checking things on the fly when out and about, often or never closed — and noticed that I’d sort-of bookmarked something for action and … missed it. Crap!
The Tiny Type Museum & Time Capsule, with specimens and those beautiful drawer pulls.
The Tiny Type Museum & Time Capsule is a celebration by journalist and printing historian Glenn Fleishman of type and printing, and an effort at preserving history for future generations to re-discover. Each custom, handmade wood museum case holds several dozen genuine artifacts from the past and present, including a paper mold for casting newspaper ads in metal, individual pieces of wood and metal type, a phototype “font,” and a Linotype “slug” (set with a custom message), along with original commissioned art, a letterpress-printed book, and a few replicas of items found in printing shops.
The Tiny Type Museum. (Bottom drawer.)
The museum includes a letterpress-printed book written for the project, Six Centuries of Type & Printing, in which Fleishman traces the development of type and printing starting before Gutenberg printed his Bible around 1450 up through the present day. This book acts as “docent” for the museum, providing insight into the stages in technological and artistic development that took place, and explaining the importance and nature of the artifacts. It also slides out neatly as part of a sled from the top of the museum case, and provides the visible name.
The letterpress book is still available: get your copy, or subscribe to the podcast. But even if you don’t, take a moment to appreciate the work that went into this — well done, indeed.
Buick’s New Logo
This one … I dunno. The race to do car logos flat black-and-white has seemed like a race to the lowest common denominator. (See previous coverage of BMW, Volvo, Cadillac, and more.) Below, Buick’s old (left) and new (right) logos, courtesy of Motor1:
The trademark filing for Buick’s new logo.
Thankfully, there’s been a leak — Instagram, natch, so no link here — demonstrating that it’ll still be in color:
From Instagram (alas): The new Buick logo in living color.
Still, not sure. Will have to see the official announcement and package that goes with it; Motor Trend suggests that it might be part of an EV-only future. Stay tuned for Brand New’s take, I guess….
I think innovation doesn’t come in one huge leap. It’s a series of small steps. Accumulations of small discoveries, followed by incremental implementation. And then it all adds up. Innovation is not a single idea—it’s incredibly incremental and additive. Even these small discoveries can change the way we think about things very quickly. So I think every step of the way—problematizing “what are the issues?” and “what are the solutions?” filtering issues of sustainability, supply chain, accessibility, will eliminate many solutions which are not possible. And then you end up with small nuggets of potential. In a way it’s very systematic, innovation, and so is experimentation. It’s the elimination of what’s not possible and focusing on goals.
Toshiko Mori. Image courtesy of New Reader.
You know, history is not about the past, really. History is about the story of an individual interpreting history. Historians cannot be unbiased narrators. Every history is a story, and then yes, there are facts—which are important, but the way you connect facts and then make diverse narratives is super interesting.
As you can see, Fox News provides false narratives, and a lot of times they skew the facts, and that’s a problem. It can be used dangerously, but it can also be used productively. I think that’s what makes history rich. It’s not about the past, it’s about projecting into the future. So when I teach students, I ask them to make their own story based upon their research. But it’s a story—so that’s kind of their own reality. And based upon that reality, they can develop diverse narratives and then communicate the story to others. It’s not as if you have different opinions, but you have different stories to share. It’s not about controversial opinions, but about the way we each look at life very, very differently—and that enriches everybody.
The Ringling Museum in Sarasota, Florida has been a place I’ve been taking photographs since I lived in the area, almost twenty years ago now — and a place where I continue to enjoy taking photographs whenever possible.
The grounds have these amazing banyan trees, with root systems larger than many houses:
Banyan (black and white, detail)
They’ve expanded over the years, adding buildings, a new entrance, and additions. This is the Chao Center for Asian Art:
Chao Center’s Asian Art Siding #3 (Detail)
The old Ca d’Zan gate is the new main entrance:
Ca d’Zan Lion
And, of course, the whole compound is right on Sarasota Bay:
This past weekend’s road trip included five stops, including Monticello and Barnesville, which I covered in the last post. However, there were three more stops in the middle.
Jackson Dam, which forms the headwaters of the Ocmulgee River — and which has a fishing area with this neat scene:
Walk and Deck, Jackson Dam
Jackson Lake, formed by the Yellow, Alcovy, and South Rivers:
Jackson Lake (Wideangle)
And Jackson proper, which has a traditional (for Georgia, at least) town square with a courthouse:
Butts County Courthouse #5, Jackson
Also, this — with perhaps too cute a title:
Downtown Door During Reconstruction, Jackson
All of these have been added to a new gallery. Check it out.
A three-fer as we wind through this February: Peter Stewart, a really talented architecture photographer from Australia; VAG Rounded, Apple’s keyboard font and how it relates to Volkswagen; and a new site called The Apple Store Glossary leads to an interesting review of furniture in Apple Stores.
Peter Stewart
November’s Beautifully Briefed covered the 2021 Architecture Photography Awards shortlist, and one of the photographers is Peter Stewart, a self-taught Australian who wanders around Asia. Gotta say: he’s better than great.
“Hanshins Web” Osaka, Japan. 2019, by Peter Stewart
His eye for pattern and color is spot-on:
“Four Columns” Tokyo, Japan. 2019, by Peter Stewart
Archinect’s In Focus feature has a great 2019 interview that not only discusses the how and where, but also the why — including his thoughts on use of Photoshop and, perhaps most insightfully, how to thrive as a photographer in this crowded age:
The hardest part of being a photographer today is finding a way to stand out among the crowd. In just the past few years Instagram has changed everything and given rise to a sizable number of highly talented new photographers. We are inherently influenced by the work we see from others, and as such has given rise to a lot of popular trends and styles of photography which has brought about a bit of a copycat culture. The point is, I think it’s important to find your own themes and ideas in order to progress, and not to simply emulate.
Daring Fireball is a daily stop for Apple geeks like me, but rarely does it cross into graphic design territory — except when it links to a Jalopnik article discussing how a Volkswagen font wound up on Apple’s keyboards.
Good stuff. (Bonus ’80s Dasher brochure siting, too.) Enjoy.
Apple Store’s Boardroom Furniture
Some Apple Stores have additional, not-usually-open-to-the-public spaces called boardrooms. And, as you might imagine, they’re filled with interesting stuff.
A new (to me, at least) site called The Apple Store Glossary has information and photographs of all aspects of Apple Stores, from the new Pickup area to the behind-the-scenes Boardrooms.
The latter started out as something called Briefing Rooms, intended for business customers and special events. However, they’ve evolved: more casual, more comfortable. And more interesting:
Apple Boardroom (Passeig de Gràcia store, Barcelona, Spain)
9to5Mac has a great roundup of these rooms we don’t see, from the accessories (bonus Eames Bird sightings) to the books, and perhaps most interestingly, the furniture.
