Former President Carter’s hometown of Plains, Georgia, has a gallery now up to 70 photographs. I just added more from the Carter Boyhood Farm, taken March 4th, 2021. Enjoy!
Macon Downtown Gallery Updated
Gerald and I spent a lovely Sunday afternoon wandering around downtown Macon, resulting in an updated gallery. Take a look.
Note: the gallery is arranged chronologically, with the oldest photographs at the top.
Downtown Gallery Updated (and… Updated)
As mentioned yesterday, Gerald purchased a Voigtlander Ultron 21mm f1.8 — a very nice, German-owned (Japanese-made), manual-focus lens — last month, and he was kind enough to loan it to me for a couple of days.
We — that is, the lens and I — went for a short photostroll in downtown Macon this afternoon. Check the results in the updated gallery.
Edit, 6 March, 2021: I’ve rejigged the Macon galleries, and the featured photograph from this post is now in the Macon – Miscellaneous gallery (as the Catholic church is up the hill from downtown).
Rose Hill Gallery Updated (Again)
My good friend Prof. Gerald Lucas has been collecting lenses again, and since we both shoot with Leica L-mount cameras, we’re able to share — and he was kind enough to do precisely that. (Thank you, sir!). He’s added classics like the Asahi Super-Takumar 50mm f/1.8, Olympus Zuiko 28mm f/2.8, and Юпитер-8 (Jupiter-8) 2/50. (He’s added a brand-new Voightlander Ultron 21mm f1.8, as well — nice.)
Rose Hill and Riverside serve as familiar ground for us, meaning that when new photographic tools are available, we go there to see how well we work together; the gallery is twelve years old. See the update here. Enjoy.
Two Macon Galleries Updated
December photostroll, part 2! Once again, Prof. Gerald Lucas and I were out testing new camera gear. Check out the updated Riverside Cemetery gallery and the Macon Downtown gallery, both updated today. Thanks for looking.
Greenville Photography Gallery Updated
Enjoyed a photostroll in Greenville, South Carolina, with good friend Prof. Gerald Lucas. See the updated gallery here.
Galleries Updated
As part of the new web site, I’ve redone the media.gileshoover.com section to better highlight the more than 5000 photographs available.
Note that those items are available as prints, framed or unframed, starting at a very reasonable $5. My web commerce provider, Zenfolio, also offers museum-quality fine prints, also framed or unframed, and a variety of other merchandise, from card sets to mousepads, pins, and mugs.
Explore and purchase today. Thanks for your support!
Update, Jun 25, 26, and 28: More galleries updated. Check for new photographs from Alabama, Florida and North Carolina!
The New Website and Foreword Blog
Back in the ’90s and Aughts, my ex-wife and I ran a popular book design blog called Foreword. For a variety of reasons, from divorce to moving to Georgia and then deciding to do photography full-time, I got away from it. I even let the company name, ospreydesign, get away from me.
I’ve been seriously regretting losing Foreword for a while now — and its return one of the driving reasons for the new web site. Part of that has to do with a return to book design, and wanting to comment on the same, but also because I don’t do social media and have wanted a space to talk about — and get feedback on — items to do with book design, photography, and so much more. There’s no place better than your own web site. Thus, Foreword is back, this time as part of my personal site: gileshoover.com.
Memory Lane
Here’s what ospreydesign looked like way back when:
The site evolved, but only to a point — those were the days of having to pay attention to screen width. Remember: 15-17-inch screens were the new hotness; 13-inch was more normal. (Hence the small layout.) There was something comforting about it, though, and this look preserved for years. Here’s another screenshot:
Foreword, a relatively new item called a weblog, or blog, was both a vehicle of discussion and publicity. And it worked — this little blog grew and gained followers, basically riding the early “wave” of blogs.
Here it is from 2005:
The “look” changed shortly after, while the popularity continued to grow. Here’s another, from fourteen months later:
At this point, Foreword was at its utmost; thousands of readers, #1 in a Google search for “book design,” pretty much everything — and I, quite frankly, decided to throw it all away.
The Photography Era
Changing my priority to photography full-time was both awesome and a completely mixed bag. I absolutely loved the instant results of digital photography, and enjoyed the possibilities of editing them; filters, textures, black and white, and more. The creativity was more immediate, as well, in that I was my own “editor,” for lack of a better term, not answering to as many people as designing books can be.
Making money was more difficult than with book design, but somehow more exciting; in many ways, it’s a performance art — I had to get it right at the time (there are no redos — events move on!), then make it better in the edit. But, I quickly found that weddings and events were not my strong suit. Like many making a profession out of a passion, I too often clashed with the “vision” thing; what I wanted to do — architecture, landscapes, “things” more than people — wasn’t what you made money on.
Worse, I was ahead of an extremely powerful wave: photography as something ubiquitous. With the rise of everything from a flood of new folks doing photography full-time to practically everyone “being” a photographer with just their cell phone, there was absolutely no way I could make the success out of it that I could have had I just stayed with book design first and photography second. Sure, I still did book design — I was early in the photography book genre — but photography as a career proved unsustainable.
Lesson learned.
New Memories
So, book design is again what I describe my profession as, with photography back to being a passion instead of a full-time job, and Foreword has returned. I’m better for it, frankly; so, hopefully, will my readers, as we can again share my love book design — along with why I’ve returned to it full-time.
Having a blog again also gives me a chance to talk about design, book production, photography and how they’ve changed in the intervening years, and recommit myself to regular posting; something I’ve missed and hope others have, too.
Welcome back.