Book Design and Fine Photography
Photography in all its forms, including — but certainly not limited to — portraiture, landscapes, objects, macros, and still life. Most of the photography Foreword looks at are appropriate for books or walls.
As promised yesterday, there’s more from Sandersville. This time, the City Cemetery, which is listed on the National Register of Historic Places:
Some beautiful statuary within:
Sandersville the site of a skirmish on Sherman’s March to the Sea, and according to the official history, probably took place in the cemetery grounds itself.
An enjoyable time on a beautiful fall day. See all of the photographs from Sandersville in the updated gallery here.
Sandersville, seat of Washington County, was the photography destination this past weekend. Gerald and I wanted to get out and enjoy this beautiful stretch of fall weather, and this small city — with its National Register-listed cemetery (more on that tomorrow) — hadn’t yet been explored.
There was a pleasant little park off what I’m calling Courthouse Square (it doesn’t seem to actually be named that):
The Washington County Courthouse is a beautiful and historic building, like many here in Georgia:
Can’t close without a plug for the home team:
See all of the photographs from Sandersville in the new gallery, and stay tuned for more tomorrow. Thanks!
See also: Gerald’s journal post on the trip.
The first Friday of fall saw Gerald and I out celebrating the beautiful weather — and his new “creative camera,” a Leica M8 in pristine condition:
Which of course meant a quick spin around downtown. I was using my favorite lens, the 90mm macro, resulting in lots of detail shots:
With these latest additions, the Downtown Macon (2022+) gallery is at eighty photographs. Take a look.
A wide selection of items for the beginning of fall, from positive fonts to jolly cameras — with Adobe and Pantone pouring some cold water on things. Let’s get to it!
As Americans, Europeans, or, more generally, Westerners, we take for granted that fonts will reflect the various pieces of individual type — that is, letterforms — that we’ll need. But not everyone falls into that category.
Dezeen points us to an especially interesting effort: “Typotheque typography project aims to protect Indigenous languages from “digital extinction.” In this case, folks who were in the Americas long before Westerners arrived used languages often not written down, or that use letterforms that simply aren’t supported in modern typographic systems.
“When [the Unicode Standard] doesn’t contain characters in a given language’s orthography, it is not possible for that community to accurately use their language on digital text platforms.”
Typotheque typeface designer Kevin King
Fascinating. Read more at Dezeen.
The always-great Hoefler & Co. spends a minute educating us about italics:
Italics can be the most colorful part of a type family, diverging dramatically from their roman cousins. Here’s a look at twelve kinds of italic typeface, with some notes on their cultural contexts, historical backgrounds, and practical applications.
Hoefler & Co.
Read the article, “Italics Examined,” at Hoefler & Co.’s Typography.com.
Adobe and Pantone are having a . . . thing. As a result, all Pantone spot libraries have been removed from Adobe products:
A classy move, completely in character for both companies, to reach into users’ machines and remove stuff they had paid for and may rely on because of some licensing spat.
Nick Heer, Pixel Envy
I didn’t get a notice in either InDesign or Photoshop, but a check in InDesign (the CC 2022, aka 17.4, version) shows only the CMYK libraries:
You can subscribe to the additional libraries from Pantone for $60/year. Book design is almost exclusively CMYK, so I won’t be . . . but grrrr.
On the subject of Canadians: thanks to Nick Heer’s north-of-the-border reporting for the notice.
Update, 28 September, 2022: Adobe got around to putting up a banner in my version of InDesign — blaming Pantone:
They’ve put up a “help” page. (I took a moment to fill in the feedback at the bottom of that page, too: “Removing features we’ve paid for is incredibly uncool, Adobe. Shame on you.”)
So Pagani, the multi-million-dollar sports car manufacturer, has decided to market large-format cameras. Okay!
Incredible, breathtaking detail and quality, based on Gibellini models but taken to 11. But like their cars, mere mortals need not apply: their cameras start over $100,000.
Mortals can dream, sure, but here on Earth, I encourage an order from this Ukrainian company instead:
They’re based on instant film cartridges, are made of recycled materials, look incredibly cool, and a kit starts at an incredibly-reasonable $99. Throw in a few extra dollars to support Ukraine and . . . feel Jolly.
Thanks to This is Colossal for the link.
Three interesting logo redesigns this month, plus a moment where venti has nothing to do with coffee. Oh, and a airy bonus.
Generally speaking, I’m not one to engage in schadenfreude, aka “enjoying the pain or suffering of another.” (Wiki. Anyone surprised that the Germans have a word for this … but I digress.)
Back in 2011, I lost two Drobos in short order — and with them, the majority of my back files. Project I’d worked on, photographs I’d taken, personal documents, years worth of stuff, just gone.
Drobo, the company, did nothing to help, offering neither solutions nor apologies. I wasn’t alone; forums across the ’net suggested that I should have chosen more carefully.
It turns out they should have, too. Good.
Gloat Read more at DPReview or PopPhoto.
To call Rolling Stone‘s place in America culture iconic might be selling it short, and their logo plays a large role in that. In 2018, they flattened it — leading that trend, possibly — and it lost something.
However, this month, it’s back:
“The assignment was a paradox. How could we make the logo look like it did in the past, without making it feel dated? My hope is that loyal readers will believe the old logo is back, but on closer inspection will be surprised to notice how much it has been modernized.”
Jesse Ragan, XYZ Type
The “old logo” he’s referring to is the one that ran from 1981–2018, but there were others, too:
A great study in logo evolution: read more at the Type Network, and lettering specifics from XYZ Type. Awesome. (Hat tip to, as usual, Brand New.)
On the subject of subtlety, Aston Martin usually isn’t the first thing that comes to mind. Their recent logo redesign, however, falls into that category:
The evolution of their logo emphasizes those small steps:
Not a great amount of information on this one, but the accompanying photographs of the logomark being made are fantastic. See more at The Drive, with more at Brand New.
Subtlety and Bugatti rarely — if ever — fit in the same sentence. Aston is stratospheric as far as I’m concerned, so Bugatti would qualify as the antithesis of subtlety. But, but, but: there’s something about one.
They have a new logo and marketing campaign to go with:
Read up at It’s Nice That. Car and Driver has more information on the Mistral.
Update, 20 Sept., 2022: Brand New weighs in on Bugatti’s updated logo.
It’s been a busy August, including having to make a lightning trip through the usually-not-fun Atlanta airport. But there’s always a bright spot at the end of that tunnel: being the little boy again, awed by the simple act of flying.
Better still, the flight was on a 757, the sports car of big planes. Everybody around me had their window shades pulled and noses in their phones, but I was looking out the window:
See you in September!
Last weekend, Gerald and I took a summer road trip and photostroll through southwest Georgia — with stops in Andersonville and Americus.
Andersonville is a sobering place: “The deadliest ground of the American Civil War.” Further:
Nearly 13,000 men died on these grounds, a site that became infamous even before the Civil War ended. Their burial grounds became Andersonville National Cemetery, where veterans continue to be buried today. This place, where tens of thousands suffered captivity so others could be free, is also home to the National Prisoner of War Museum and serves as a memorial to all American prisoners of war.
National Park Service
We just visited the National Cemetery section of the park, with its closely-spaced Civil War graves, memorials, and reminders that it’s still in use today.
Later, we headed just down the road to the small city of Americus:
Both galleries — Andersonville and Americus — have been updated with new photographs. The new items start with “2022,” and remember that clicking on any photograph starts a slide show for that gallery. Thank you!
As promised, I returned to Madison, Georgia, to complete the gallery my camera battery didn’t permit last time. Special thanks to Gerald, who accompanied me around the beautiful downtown historic district and on the lovely drive from here to there.
This round is mostly details, taken with my stunning new Leica APO lens. (Introduced in this Macon post.) The whole line has been discontinued, so I am incredibly glad to have gotten one while they’re still available — every single photograph shows just how good this lens is. I’ll try to do it justice:
I’ve revamped the gallery with the new shots mixed in with the old. Several are improved versions of shots taken last time, meaning those were deleted in favor of the new ones.
132 Madison photographs have been posted in all. Peruse and enjoy; remember to click on any individual photograph to start a slide show, and if you’d like, click “buy” to get options for fine art prints in a variety of sizes and finishes. Thank you!
Three items for the end of June, 2022: AIA Los Angeles announces photography awards, the 2022 edition of the Logo Lounge logo trends report is out, and Buick makes its new logo official. Let’s get into the details.
The Los Angeles chapter of the American Institute of Architects (AIA|LA) has announced this year’s winners of the annual Architectural Photography Awards, and there’s some pretty great stuff:
See more at AIA|LA. (Via Archinect.)
The always-excellent Brand New points us at Logo Lounge’s 2022 Logo Trends report, it’s 20th annual look at what logos and branding, as a group, are looking like this year.
[W]hile there are still corporate-looking marks being crafted there is a stronger effort to find ways to identify products that are artisanal and handcrafted.
Bill Gardner, Logo Lounge
Corporations trying to be more human. (News at 11.) But then, my use of that particular phrase perhaps betrays my lack of being in touch with the modern corporate world; I think publishing is a different animal, and prefer being part of that world despite the regular influence of corporate entities there, too.
Nonetheless, following logo trends is, from a purely graphic design perspective, worthwhile — and this report summarizes beautifully. Read on.
We’ve touched upon it before, but Buick has, with the release of the Electra Wildcat concept, officially updated its logo:
Electra is Buick’s name for electric cars, simultaneously stating the obvious while giving a big nod to past models — and the Wildcat concept is, dare I say it, borderline cool:
Both Buick and Cadillac have hinted at more Art Deco in their upcoming products, perhaps best illustrated on this concept’s interior:
Nice. (Not even remotely possible on a production model, but still.) Read more on Buick’s new logo and transition to an electric car brand at Car and Driver or The Drive.
See you in July!
Update, 12 August 2022: Brand New weighs in: A New Point of View… ick
According to Southern Living magazine, “In Madison, Georgia, you can witness the power of tireless historic preservation efforts and take in the glory of old Southern architecture — from Greek Revival to Victorian, this town showcases all the great architectural styles.” (Read their day trip advice.)
It’s certainly worth taking some time to visit — and for this guy and his camera, the restaurants, shops, stroll-worthy streets, and simply spectacular historic district represent a great opportunity to add to the treasure trove of Georgia architectural photography.
A total of 90 (!) photographs have been posted to the new Madison gallery. Once there, click on any photo to enlarge or start a slide show.
I’m not done, either: I had two lenses with me, but only one battery — which gave out before I could make a round downtown with the second lens. I’ve got another trip through the area scheduled, and will absolutely make the time to return, camera in-hand, to complete the gallery. Stay tuned.
The past couple of days represented a much-needed break from the recent heat wave — an opportunity to get out of the house and celebrate a stunning morning with camera in-hand.
I pass through Madison regularly (it’s along the route from Macon to Athens), and have been meaning to stop and take some photographs for literally years. Today, the first of two parts this week, with more to come soon.
We start at the Madison Morgan Cultural Center and loop through the historic district — and its many, frankly stunning buildings — south of downtown:
There are a few detail shots mixed in, too, like this one from the Presbyterian Church:
See the first 34 photographs in the new gallery. (Remember to double-click on a photograph to see larger.) Next time, downtown. Happy Monday!
FedEx pulled up around 8:30 this morning and dropped off a new lens. (It wasn’t due ’til Tuesday — bonus!) Given that it was an absolutely beautiful morning, I shelved my plans for the day, picked up the camera, and headed downtown.
Verdict? It’s so a keeper. See for yourself:
Wound up with sixty new items posted. However, the downtown Macon gallery was getting almost too big — confusing, even — so has been separated into three parts:
One more thing: Four photographs have been added to the Automotive gallery, including this rare Mitsubishi Lancer Evo:
Enjoy your Memorial Day weekend!
This month’s favorites cover a delightful new extension of the typeface DaVinci, Google’s updated mega-font, Noto, photographs of a desert aircraft boneyard from above, and mega-photographs of the Milky Way.
Before we get there, however, I wanted to wish Jason Kottke — whose 24 years of web sleuthing has been a source for items here on Foreword dating back to its original iteration in the ’90s — good luck on his sabbatical:
“I need some space to think and live and have generative conversations and do things, and then I’ll make something, but I can’t tell you what it is just yet.”1Alexandra Bell, NYT That’s the sort of energy I need to tap into for a few months.
Hear, hear.
It’s Nice That points us to a new, extended version of the font DaVinci, done for Sydney’s Biennale:
“When you do this sort of type exercise — based on printed letters — it gives a very organic shape and form, in opposition to the very metallic sharp shape from type materials.” Furthering this organic look by pushing the fluidity curse at its maximum, Virgile ended with a design “which is very historical, yet with a contemporary twist.”
Makes you want to find an excuse to use it. But that’s not all: Flores is an incredibly diverse artist whose work both challenges and inspires. See more.
Called “A Typeface for the World,” Google’s Noto defines “megaproject.”
Noto is a collection of high-quality fonts with multiple weights and widths in sans, serif, mono, and other styles. The Noto fonts are perfect for harmonious, aesthetic, and typographically correct global communication, in more than 1,000 languages and over 150 writing systems.
According to Google,
“Noto” means “I write, I mark, I note” in Latin. The name is also short for “no tofu”, as the project aims to eliminate ‘tofu’: blank rectangles shown when no font is available for your text.
While the font itself has been around for a few years — 2013 seems like yesterday in so many ways! — it’s updated regularly, cover 150 out of the 154 scripts defined in Unicode, and deserves attention from every web designer and type nut. Read more at Google or Wikipedia. (Via Kottke.)
This is Colossal introduces us to Davis-Monthan Air Force Base in Tucson, Arizona, whose desert conditions are ideal for storing — and scrapping — aircraft:
The photographs are by Bernhard Lang — whom Colossal has highlighted before — and who has an incredible talent for finding patterns from above. See many more at his website.
We don’t get many opportunities here in Middle Georgia, but in other, less populous (read: less light-polluted) places in the world, the Milky Way shines forth from the heavens:
The Guardian points us to the 2022 Milky Way Photographer of the Year, and many just wow:
Check ’em all out, be inspired to take one of your own, or simply be reminded just how big this system we’re a part of is. Enjoy.
As I mentioned in the last entry, Gerald and I were in Columbus, Georgia on Saturday, where our primary photographic mission was The Columbus Museum — specifically, its Olmsted Garden.
ArchDaily is to blame here; they pointed me to the following:
Celebrating the bicentennial of the birth of Frederick Law Olmsted, Sr., known as “the father of landscape architecture”, the Cultural Landscape Foundation has created an ever-growing digital guide of Olmsted’s most notable works.
I immediately looked up what was near me, and lo and behold…. (Full disclosure: the garden is actually by Bradley Olmsted, one of Fredrick’s sons.)
Of course, the building’s interesting, too, so there’s a good mix of architecture, gardens, architecture from the garden, and — you guessed it — garden architecture:
I enjoyed the visit, and as a result of that visit, added 32 new photographs to the Columbus gallery. (They’re grouped together: “Columbus Museum – Mar22.”) Peruse anytime; purchase if you’d like. Thank you!
Gerald and I were in Columbus, Georgia, today, which included a delicious lunch at The Black Cow — no word whether the name is related to the Steely Dan song — and which meant a few photographs:
One of several of the Post Office and Court House (the header photograph is that building, too), along with a few others from downtown:
Columbus is really well covered in its dedicated gallery: check it out. The majority of today’s photographs, however, were from the Columbus Museum; those will be posted Monday. Stay tuned.
The Ringling Museum in Sarasota, Florida has been a place I’ve been taking photographs since I lived in the area, almost twenty years ago now — and a place where I continue to enjoy taking photographs whenever possible.
The grounds have these amazing banyan trees, with root systems larger than many houses:
They’ve expanded over the years, adding buildings, a new entrance, and additions. This is the Chao Center for Asian Art:
The old Ca d’Zan gate is the new main entrance:
And, of course, the whole compound is right on Sarasota Bay:
Take a virtual stroll through the Ringling grounds with 24 new photographs, along with many more over the years, and a few extra photographs from Sarasota proper. Enjoy.