Beautifully Briefed 24.10: Content with Worthwhile Content

“Content,” that is, the feeling of satisfaction — contentedness — is a word I’d much rather use than “content,” that which is required of folks who produce material for their website/YouTube channel/social media feed/whatever. It’s a shame the world favors the latter over the former.

Or does it? We’ll get to that — right in the midst of the other content that caught my eye in October, 2024.

Adobe Content Credentials, Continued

Adobe’s positive messaging continues, saying “[it is] dedicated to responsibly developing tools that empower creators to express themselves and tell their stories while helping address their concerns.” It even carried out a study to get some feedback from creatives on generative AI and one of the standout insights was rising concerns over unauthorised sharing of their work or misattribution with 91% of creators seeking a reliable method to attach attribution to their work.

Bring on Adobe Content Authenticity. It’s a “powerful new web application that helps creators protect and get recognition for their work.”

A screenshot of Adobe Content Authenticity website.

In today’s rapidly evolving digital landscape, creators are understandably concerned about safeguarding and gaining attribution for their work and having more control over how it’s used. That’s why we’re excited to introduce Adobe Content Authenticity, a new, free web app that allows creators to easily attach Content Credentials to their digital work — helping you protect your work, show attribution and better connect with your audiences online.

—Andy Parson, Senior Director, Content Authenticity Initiative, Adobe

For now, it’s limited to a beta Chrome extension, with a wider beta opening to the general public in spring 2025. (I don’t use Chrome, but have signed up to the waitlist, and will update Foreword readers when I hear back.) Content Credentials are already available in Photoshop and Lightroom — provided you’re using the latest versions, which may require the latest OS.

Three on Book Design
PBS on del Rey

I’d known the publishing house since . . . well, as long as I can remember. What I’d not known is the story behind the publishing house:

Set aside thirteen minutes when you can — absolutely worth it.

Multi-Panel Book Covers

I agree with Jason Kottke: “Bento Books” is the term. A great example:

Book design by Oliver Munday.

Here’s the impetus discussing this latest book design trend, with many more examples.

It’s Nice That: Book Design in Brazil
Book design by Bloco Gráfico.

Any foreigner entering a bookshop in São Paulo is likely to be impressed by the quality of the books on display. For a country with relatively few readers, few high quality printers and binders, and a very limited assortment of paper, the Brazilian publishing market shows remarkable graphic ingenuity[.]

— Elaine Ramos, It’s Nice That

Never mind the country, the great book design caught my attention: from The Great Gatsby, above, to the J.M. Coetzee series, Orwell’s 1984, even Melville — amongst others. A great read.

Special Bonus #1: Life outside the internet . . . and physical books, please:

“The whole internet social complex … and the way people use their computers to conduct life is doomed sooner than later,” said Justin Murphy, the founder of the media and education company Other Life. “The smartest people, the people who are the most cutting-edge, will increasingly live their lives outside of computers.”

Whether or not that’s true — or even a potential — isn’t as relevant as an actual trend: physical book sales are up:

Print, too, is on the rise, from books to magazines to newspapers. Print book sales had a pop with the pandemic in 2020, and have continued to maintain sales of more than 750 million units sold each year. Meanwhile, even though they’re cheaper, sales for ebooks are down slightly, which may be owed to the fact that younger readers, much like older generations, overwhelmingly prefer printed formats.

— Zoë Bernard, Vox

Flip phones, vinyl LPs, and . . . books: Read the whole article.

See also: The Guardian: Bookstores are Suddenly Cool.

50 Fonts for 2025

CreativeBoom is out with their annual post on future type, “50 fonts that will be popular with creatives [next year].” Some of my favorites (links in captions):

Editorial New, by Pangram Pangram.
Nave, by Jamie Clark Type. (Bonus points for the great illustration.)
Right Grotesk, especially the Casual flavor, by Pangram Pangram.
Canvas Inline, designed by Ryan Martinson from Yellow Design Studio. Available through Adobe Fonts.
Ssonder, from Type of Feeling. (Easily the most on-trend of my highlighted items.)

An honorable mention goes to Gamuth Sans, from Production Type. See CreativeBoom’s 2025 popular fonts list here. (Note: some are available through Google Fonts, and thus free-to-use. Nice.)

See also: Two more from CreativeBoom on the 2025 type scene: font trends and independent foundries.

Photography that causes content
Forest Fireflies

From This is Colossal, we have Kazuaki Koseki, who describes himebotaru — fireflies — as “artists who paint light on the forest.”

From the series “Summer Faeries” by Kazuaki Koseki.

Artistry, all right. See more.

Epson International Pano Awards

The 2024 Pano Awards have been announced, with a wealth of great wide-angle shots for your viewing pleasure. Two of my favorites:

“Storm Dump,” by Tom Putt. Taken near Wyndham, Western Australia.
“Uprooted,” by Nickolas Warner. Taken in Moab, Utah.

Epson’s rules are a little looser than some, but don’t diminish the sheer creativity displayed by the entrants. See coverage from PetaPixel or This is Colossal, or go to the source for the full list.

Siena Creative Photo Awards 2024

Just one favorite to highlight here, but what a favorite it is:

“Storm on the Elbe,” by Anna Wacker. 1st Prize, Architecture.

See some amazing sleeping bears — and much more — at the PetaPixel post or the full list at the Siena contest website.

Architecture MasterPrize

Few contests are more up my alley than this one, which inspires me to get back out there sooner rather than later:

Kaktus Tower, Copenhagen, by Shoayb Khattab. See more from this series.
“Fragments,” taken at the Nhow Hotel, Amsterdam, by Max van Son. See larger.

Awesome. Meanwhile, the below caught my attention not due to the striking photograph, but the striking content — which, indeed, caused contentedness. Such a huge change to anyone who might recognize this former hulk, now beautifully refurbished and in a new park setting:

“Michigan Central Station,” Detroit, by Jason Keen. See the full series here.

See the post from PetaPixel or the full list of 2024 winners at the Architecture Masterprize 2024 website.

Special Bonus #2: To close us out on this Halloween, the moon:

Photograph by Darya Kawa Mirza. See more.

Beautifully Briefed 23.12: The Winning Winter

We round out 2023 — how’d that happen? — with some items pulled from the stockings: PRINT on a few favorite books and two different photography contests that impress. (Plus bonuses thrown in, just ’cause.)

Books in PRINT

Book designer Daniel Benneworth-Gray brings us some of his favorite books on design published in 2023:

It’s that time of year when “stop asking for books, you have too many books, look at all these piles of bloody books” echoes around our house. My excuse for all this tsundokustacking: it’s professional research! After all, my job is just … book. Plus I have an untested but absolutely correct theory that books pay for themselves by acting as insulation and thus reducing your heating bill.

— Daniel Benneworth-Gray, PRINT

They act in that role here at my place, too. In any case, I agree with several of his choices enough to highlight them:

The Graphic Design Bible has won numerous accolades this year, and reminds us that despite . . . well, the internet, a well-edited, well-curated examination of a subject as diverse as graphic design benefits from book form.

Saul Leiter’s mid-century photographic genius earned him a long career, as proven by just glancing at the cover photograph on this latest tome:

Lastly, something I’ve added to my wish list:

Note: UK cover shown, ’cause it’s better.

It’s great that PRINT pulled this article from behind the unfortunate mess that is Substack and out into the light. Enjoy.

Special bonus #1: NPR highlights public libraries’ most-borrowed books of 2023, along with their always-awesome “Books We Love,” 2023 Edition.

Special bonus #2: The Guardian reminds us that, for younger readers especially, reading print improves comprehension far more than looking at digital text.

Fantastic Landscape Photographs

“2023 International Landscape Photographer of the Year Winners,” PetaPixel announces, and some of these are just wonderful:

International Landscape Photographer of the Year: photo by runner-up Andrew Mielzynski.

Interestingly, this one reminds me a good deal of last month’s Natural Landscape winner from Adam Gibbs. (Maybe birches in water are a thing; I don’t do trends.) Also, kudos to this black-and-white taken right here in Georgia:

Winner of the Aerial Award, a special category. Taken in George L Smith State Park, Georgia, by Jim Guerard.

Again, like last month, here are two beautiful shots from the same photographer highlighted:

International Landscape Photographer of the Year: third-place photo by Matt Meisenheimer.
International Landscape Photographer of the Year: third-place photo also by Matt Meisenheimer.

The International Landscape Photographer of the Year results are published in book form, which is great if you get the physical copy but slightly limiting in (their) website form. Nonetheless, check ’em out.

Fantastic Black and White Photographs

“The incredible winning images,” PetaPixel announces of reFocus, a black-and-white-only photography competition, split into both professional and non-professional categories. (PetaPixel seems to have taken the flame that DPReview used to represent and run with it, thankfully.)

Overall professional winner Bill Pack and a small Mercedes:

reFocus Awards Black & White Photo Contest: “CarScape” by Bill Pack.

“Sensual” might be an understatement there. Meanwhile, there seem to be some overlap between categories, but when you can capture action like these two, maybe they just wanted to make room for both:

reFocus Awards Black & White Photo Contest: Oddly-filed Domestic Animals winning photo by David Zlotky.
reFocus Awards Black & White Photo Contest: Event winner from Laura Thomson.

Wow. Meanwhile, there are landscapes and architecture, too:

reFocus Awards Black & White Photo Contest: Winner, landscape (non-professional) by Thomas de Franzoni.
reFocus Awards Black & White Photo Contest: Eyes of the Sea, winning architecture by Hilda Champion.

We round out this list with something shot on film:

reFocus Awards Black & White Photo Contest: Winner of the film/analog non-professional category by Shinya Ichikawa.

Wonderful. See all the winners at the (thankfully well-presented) reFocus website.

Leica’s 2022 version of the M6 film camera, a bargain at $5695. (Lens not included.)

Special Bonus #3: Speaking of film, Nick Heer reminds us why he’s a daily read: The Neverending Film Photography ‘Resurgence’. (The Leica is relevant, not just me taking an opportunity to post a photograph of their awesome gear.)

Foreword . . . On Towards 2024

The end of 2023 hasn’t seen as much posting as I’d like, something I’m hoping to change once the new year gets underway — starting with the annual list of my favorite book covers of the year mid-January. Meanwhile, wishing you and yours all the best in 2024 and beyond.